李一凡是进入2000年以后中国当代艺术转型中的重要艺术家,不管关于艺术要本体还是要介入社会的争论如何地一轮又一轮,但艺术与社会的更广泛的联系以及艺术自身就是社会物的痕迹的事实总是千真万确的,但那些以艺术本体论捍卫者自居的争论也最多是一种艺术理论中的多余话题或者制造刺激艺术社会化朝向更有理论张力的方向发展的知识现场而已。

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其他人:李一凡个展
策展人:王南溟
中国.广东 .深圳

【展览概况】
主办单位:圈子艺术中心
承办单位:深圳市圈子文化投资发展有限公司
深圳市贝赛尔企业形象策划公司
策展人:王南溟
艺术家:李一凡
开幕时间:2017年4月1日 14:00
论坛时间:2017年4月1日 14:30-18:30
展期:2017年4月1-2017年5月5日
展览地点:圈子艺术酒店(深圳市宝安44区宝安大道1146号一楼)

【关于展览】
前言

李一凡是进入2000年以后中国当代艺术转型中的重要艺术家,不管关于艺术要本体还是要介入社会的争论如何地一轮又一轮,但艺术与社会的更广泛的联系以及艺术自身就是社会物的痕迹的事实总是千真万确的,但那些以艺术本体论捍卫者自居的争论也最多是一种艺术理论中的多余话题或者制造刺激艺术社会化朝向更有理论张力的方向发展的知识现场而已。
Li Yifan has been an important artist in the transition of Chinese contemporary art since the turn of the new century. No matter the turns in the endless debates between ontology and social intervention, the broad links between art and society, and art's properties as the traces of society, are beyond question. The arguments of those who defend artistic ontology are merely providing superfluous art theory material or producing a knowledge scene to stimulate art to move in a direction with more theoretical tension in its trend towards socialization.
李一凡最早进入我的展览是在2002年的香港艺术公社的“传媒城市”展览项目,那时他们以“胖兄弟”为小组对三峡动迁工程的拍摄,展览取了这个拍摄中最初的一个片断,并且以最真实的影像呈现到观众面前,引发在对这个工程中某些点上的思考,继后李一凡的“胖兄弟”小组完成了《湮没》记录片,并在西方重要记录片评选中得了多项记录片大奖,而后李一凡这种对社会变迁与城乡问题考察的记录片一直在朝深处发展。《乡村档案》又是他的一个持续的拍摄项目,这个项目从三峡的国家工程讨论到具体农村的组织方式和自主性与国家机器之间错综复杂的关系在特定的乡村中的状况,并使其纪录片获得了极其田野调查式的价值。
Li Yifan was first featured in one of my exhibitions in the 2002 MediaCity project at Artists Commune in Hong Kong. At that time, he was working in the “Fat Brothers” team on filming the Three Gorges Dam relocation project. The exhibition utilized some of the first footage from this project and presented it to the audience in the most truthful cinematic manner in order to elicit certain ideas about this project. Soon after, the Fat Brothers finished the documentary Before the Flood, which won many awards from major documentary film events in the West. Since then, Li Yifan has carried out observation and documentation of social change and urban-rural issues with ever-increasing depth. Village Archive is another of Li Yifan’s long term filming projects. The project looks at the complex relationships between specific organizational methods of villages, their autonomy and the mechanisms of the state within specific rural circumstances through the lens of the national Three Gorges project, and gives his documentary film particular value as field study.

2017年在深圳圈子艺术中心,李一凡个展的展题为“其他人”,这个展览的重要性是李一凡继续以他的特有的发现,集中到电动车这样一个物体上对深圳那些城中村的人的生活状况进行追踪和反思,然后将深圳的打工族的背景、深圳租房与人口流动、深圳公共空间和公共设施中所反映出来的深圳人的阶层状况,编织成整体性的作品。这个展览作品用李一凡命名的“其他人”嵌入和连接其中,用以呈现出李一凡的观点:这“其他人”,就是每个都是被忽视的人群,他们就在深圳这个地方。
Li Yifan's 2017 solo exhibition at the Quanzi Art Center in Shenzhen is titled Others. The importance of this exhibition lies in the continuation of Li Yifan's unique discoveries, which here focus on the investigation and reflection on the effect of such objects as the electric bicycle on life in Shenzhen. This investigation weaves the various facets of class in Shenzhen, as reflected through the background of its worker class, apartment renters, itinerant populations, public spaces and public facilities, into a complete artwork. The theme of Others is embedded throughout the exhibited artwork in a presentation of the artist’s viewpoint, that “others” are the many overlooked groups that make up the city of Shenzhen.

——王南溟
Wang Nanming
 

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【关于研讨会】
社会转型与治理:乡村人口向城市流动中的冲突
学术主持:王南溟
论坛嘉宾:段煜婷、冯果川、李津逵、李海、罗岗、李一凡、吴味、张楚翔
论坛时间:2017年4月1日 14:30-18:30
研讨地点:圈子艺术酒店(深圳市宝安44区宝安大道1146号九楼)

【关于策展人】

策展人照片.jpg
王南溟,上海独立策展人、艺术家,同时被称为中国当下艺术批评界最具批判力的批评家,从“前卫艺术”、“后前卫艺术”到“更前卫艺术”(Metavant-garde)的阐释者和推动者。已出版的批评文集有:《理解现代书法:书法向现代和前卫的艺术转型》(江苏教育出版社,1994年),《艺术必须死亡:从中国画到现代水墨画》,(上海书画出版社,2006年),《观念之后:艺术与批评》,(湖南美术出版社,2006年),《批评性艺术的兴起:中国问题情境与自由社会理论》(古桥出版社,2011年),《现代艺术与前卫:克莱门特-格林伯格批评理论的接口》(上海大学出版社,2012年),《艺术制度与法律:中国与国际交往的结果》(古桥出版社,2012年),《后殖民荣誉:艺术的中国性与艺术家的中国身份》(古桥出版社,2012年)和《书法的障碍:新古典主义书法、流行书风及现代书法等问题》(上海大学出版社,2014年)。主要作品有《字球组合》、《拓印干旱》、《太湖水》等,作品被大英博物馆、梁洁华基金会、中国美术馆等收藏。
Wang Nanming, Independent curator and artist in Shanghai, he is regarded as one of the top critics of China’s contemporary art. He is the elucidator and promoter of the Avant-garde, post-avant-garde and Metavant-garde. Wang Nanming has authored several books includingUnderstanding Modern Calligraphy: Artistic Transformation of Modern and Avant-garde (Jiangsu Education Press, 1994); Art Must Die: from Chinese Painting to Modern Ink Painting (Shanghai Fine Arts Publishing House, 2006); After Concept: Art and Criticism (Hunan Fine Arts Publishing House, 2006); The Rise of Critical Art: Chinese Problem Situations and Theories of Liberal Society (AlteBrückeVerlag, 2011); Modern Art and Avant-garde: Interface of Clement Greenberg’s Critical Theory (Shanghai University Publishing House, 2012); Art, System and Legislation: China's International Exchange (AlteBrückeVerlag, 2012); and A Post-colonial Honour: the Chinese-ness of Art and the Chinese identity of Artists (AlteBrückeVerlag, 2012) and Obstacles of Calligraphy: Neo-classical Calligraphy, Popular Calligraphic Style, Modern Calligraphy and other Issues (Shanghai University Publishing House, 2014). His major works include Calligraphy  Balls, Tayin Drought and Tahui Lake, which were collected by The British Museum, Annie Wong Art Foundation and National Art Museum of China.


【关于艺术家】
 艺术家照片.jpg李一凡
1966年出生
1991年毕业于 中国北京中央戏剧学院
现生活工作于重庆

艺术家年表:
2016
“On The Other Side”,器空间,重庆
 “山水社会—民间传记”,喜马拉雅美术馆,上海
 “脉冲反映2—关于现实和现实主义的讨论”,广州时代美术馆,广州
 
2015
“思索之光”,阳平美术馆,阳平,韩国
“自觉与重建”,西安美术馆,西安
 
2014
发起“六环比五环多一环”艺术调查活动 ,北京
红蓝主义2 ,铜元局项目,重庆
 
2013
"Red Hot: Urbanization, Evolution and the Image",瑞士圣莫里兹艺术大师展,圣莫里茨,瑞士
“进化:惑”,北京元艺术中心,北京
威尼斯双年展平行展——“未曾呈现的声音”,威尼斯,意大利

2012
“12个西红柿”,嶺空间,重庆
“观看方式研究”,喜马拉雅书店,重庆
“红蓝主义 ”,草场地,北京
“非出版”,二楼出版机构,北京
第四届广州三年展项目展第一回“去魅中国想象----中国当代艺术作品展”,广东美术馆,广州
艺术三亚  中国独立电影节  影像单元
深圳艺术节
香港 亚洲艺术文献库  《乡村档案》放映研讨活动
“脉冲反应——一个关于艺术实践的交流项目”,广东时代美术馆  ,广州
 
2011
发起“外省青年”艺术系列展览及讨论
“痛感指数”,成都蓝顶美术馆,成都
“眼与心;当代艺术与现象学视域”学术研讨会,成都 A4 当代艺术中心,成都
上海德国文化中心《乡村档案》放映研讨活动
北京中央美术学院《淹没》放映研讨活动
碧山计划“碧山丰年祭”,安徽
“左眼与右眼-视觉立场”学术演讲与对话,成都双年展,四川大学,成都
 
2010
“改造历史—2000-2009年的中国新艺术”,国家会议中心,北京
“绝对距离”,北京空白空间,北京
尤伦斯基金会 《乡村档案》放映研讨活动,尤伦斯当代艺术中心,北京
 
2009
成都双年展,成都
“云之南”纪录片影像论坛,云南
瑞士文化基金会 中国影像展,瑞士
柏林亚洲短片电影节,德国
 
2008
“微观叙事:张小涛+李一凡的社会图象 ”,伊比利亚当代艺术中心,北京
“混响”,重庆坦克仓库,重庆
“重构的世界图景”, K画廊,成都
北京伊比利亚当代艺术中心开幕馆展——“趣味的共同体”,  伊比利亚当代艺术中心,北京
宜昌809国际影像艺术节,湖北
韩国帕克斯艺术空间开馆展,韩国
重庆器空间国际workshop艺术展,器空间,重庆
《乡村档案》参加加拿大温哥华国际电影节
《乡村档案》获法国南特三大洲国际电影节评委会特别奖
 
2007年   
“从西南出发”—西南当代艺术展,广东美术馆,广州
“无边的现实”摄影艺术展,798,北京
平遥国际摄影节,平遥,山西
后先锋艺术展,香港艺术中心,香港
底层人文,北京宋庄,北京
第四届北京独立电影节,北京
Arte德法公共电视台4次放映纪录片《淹没》
 
2006年
美国加州洛杉矶国际电影节
法国Shadows电影节
奥地利 维也纳国际电影节
丹麦 DOX国际电影节等
《乡村档案》项目获荷兰IDFA Jan VrijmanFund电影基金奖及瑞士Vision sudest电影基金奖
 
2005年   
纪录片《淹没》获:
         第55届柏林国际电影节青年论坛大奖——沃尔夫冈奖
         第29届法国真实电影节大奖——法国作家协会奖,蓬皮杜艺术中心
         第20届德国慕尼黑国际纪录片电影节大奖—BAYERISCHEN
         第29届香港国际电影节纪录片单元大奖——人道主义奖
         “云之南”纪录影像论坛大奖——青铜奖
         日本山形国际纪录片电影节大奖
         葡萄牙国际纪录片电影节大奖
         意大利Popoli国际电影节最佳纪录片
 
2004年   
         香港艺术公社展,香港

LI YIFAN
Born in 1966
Graduated from The Central Academy of Drama China in 1991
Now living and working in Chongqing
 
Selected events:
2016
Illusion Resistance, GCA art museum, Chongqing
On the Other Side, Organhaus, Chongqing
Humanistic Nature and Society—People’s Biography, Shanghai Himalayas Museum, Shanghai
Pulse Reaction 2 – Discussions on Reality and Realism, Times Museum, Guangzhou
 
2015
The Light, Yangpyeong Art Museum,Yangpyeong, Korea
Consciousness and Reconstruction, Xian Art Museum, Xian
 
2014
Initiated art project Between the 5th&6th Ring Round in Beijing, Beijing
Red and Blue Doctrine 2, T1 Project Room, Chongqing
 
2013
Red Hot: Urbanization, Evolution and the Image, St. Moritz Art Master, St. Moritz, Switzerland
Evolution: a Question, YUAN Museum, Beijing
Voice of the Unseen– Venice Biennale in parallel, Venice, Italy
 
2012
Twelve Tomatoes, Chongqing Ceiling Art Space, Chongqing
Study on the Way of Watching, Himalayan Book Store, Chongqing
Red and Blue Doctrine, Cao Changdi Arts, Beijing
Non-Publication, Floor #2 Press, Beijing
Disenchantment of Chinese Imagination, First Round of the Fourth Gaungzhou Triennial Project Exhibition, Guangdong Museum of Art, Guangzhou
China Independent Film Festival, Art Sanya, Sanya
Shenzhen Art Festival
Film screening and seminar of Chronicle of Longwang: a Year in the Life of a Chinese Village, Asia Art Archive, Hong Kong
Pulse Reaction—an Exchange Project on Art Practice, Times Museum, Guangzhou
 
2011
Initiated art project Young Strangers
Pain Index, Blue Roof Museum of Chengdu, Chengdu
Seminar L'Œiletl'Esprit, Contemporary Art and Phenomenological View, A4 Contemporary Arts Center, Chengdu
Film screening and seminar of Chronicle of Longwang: a Year in the Life of a Chinese Village, Goethe Institut, Shanghai
Film screening and seminar of Before the Flood, Central Academy of Fine Arts, Beijing
BishanHarvestival, Bishan Project, Anhui
Left Eye and Right Eye—Visual Standpoint seminar, Chengdu Biennale, Sichuan University, Chengdu
 
 2010
Reshaping History Chinart from 2000 to 2009, China International Convention Center, Beijing
Absolute Distance, White Space Beijing, Beijing
Film screening and seminar of Chronicle of Longwang: a Year in the Life of a Chinese Village, Ullens Foundation, UCCA, Beijing
 
2009
Chengdu Biennale, Chengdu
Yunfest documentary seminar, Yunnan
Pro Helvetia-Swiss Arts Council, Switzerland
Berlin Asia Short Film Festival, Berlin, Germany
 
2008
Microscopic Narration:Social Images by Zhang Xiaotao and Li Yifan, Iberia Center for Contemporary Art, Beijing
Reverberation, Tank Loft, Chongqing
The Reconstructed World View, K. Gallery, Chengdu
Community of Tastes, the Inaugurate Exhibition of the Iberia Center for Contemporary Art, Iberia Center for Contemporary Art, Beijing
809 International New Image Art Festival, Yichang, Hubei
The Inaugurate Exhibition of Pax Project Space, Pax Project Space, Korea
Organhaus International Workshop, Organhaus Art Space, Chongqing
Chronicle of Longwang: a Year in the Life of a Chinese Village was screened on Annual Vancouver International Film Festival, Canada
Chronicle of Longwang: a Year in the Life of a Chinese Village won the Jury Special Prize in Festival of the 3 Continents, France
 
 2007年   
Exhibition of Contemporary Art in Southwest China, Guangdong Museum of Art, Guangzhou
Boundless Reality Photography Exhibition, 798 Art Zone, Beijing
Pingyao International Photography Festival, Pingyao, Shanxi
Post-Avant-Garde, Hong Kong Arts Centre, Hong Kong
Human Culture of the Underclass, Songzhuang Art District, Beijing
The Fourth Beijing Independent Film Festival, Beijing
ARTE showed the documentary, Before the Flood 4 times
 
2006年
Los Angeles Film Festival, The United States of America
Festival Shadows, France
VIENNALE Vienna International Film Festival, Austria
DOX documentary Film Festival, Denmark
Chronicle of Longwang: a Year in the Life of a Chinese Village won the IDFA Jan Vrijman Fund prize and Vision SudEst prize
 
2005年   
The documentary Before the Flood won:
Wolfgang Prize, The 55th Berlin International Film Festival International Forum of New Cinema
SCAM, Civil Society of Multimedia Author, the 29thCinéma du Réel, Centre National d’art et de Culture Georges Pompidou
BAYERISCHEN, the 20th International Documentary Film Festival Munich
Humanitarian Award, Documentary Film,the 29th Hong Kong International Film Festival
Bronze Award, Yunfestdocumentary seminar
International Competition Prize, Yanagata International Documentary Film Festival
The prize of Doclisboa—International Film Festival
The Best Documentary Prize, Festival deiPopoli
 
2004年   
The Fringe Club, Hong Kon

关键词 : 个展 李一凡
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